Bernard and the Genie

Bernard and the Genie is a BBC film written by Richard Curtis (who also wrote Four Weddings and a Funeral and Notting Hill) and directed by Paul Weiland.

I play Bernard Bottle, an art dealer who is having the worst day of his life: he is fired by his boss (Rowan Atkinson) then left by his girlfriend. When he rubs the Christmas present his girlfriend gave him the previous year (a lamp, duh), there is an explosion and he wakes up in hospital with singed testicles! When he returns home, he discovers a genie (Lenny Henry) living in his flat, and after an initial fight they become fast friends and go off on an adventure round London.

I absolutely loved making this film. I got to work with people I had admired for years like Lenny and Rowan, and I got to fly on a magic carpet! I also got to have breakfast in my trailer with Gary Lineker and to stand on Melvyn Bragg's head. (Yes, I really did. I actually went up to him at a party years later and drunkenly reminded him of this but it didn't go down too well!)

It's also great to have been in something like this that was shown at Christmas and has a really special place in people's hearts. There is a certain age bracket of person who comes up to talk to me and Bernard and the Genie is always the first thing they mention.

The Last Romantics

I went straight into The Last Romantics after shooting Prague, without even meeting the director Jack Gold.  I felt that was so terrible, and disrespectful, especially because Jack is a legend and had directed some really seminal TV films in Britain, like The Naked Civil Servant.  I suppose I should have felt honoured and happy to be swanning from one movie to the next without needing to audition or go for a meeting, but this was the first time it had ever happened and it sat a little strangely with me. (I've got over it!!)

The film, made by BBC2, was based on the life of F.R. Leavis, a real-life critic and lecturer at Cambridge University, played by the utterly brilliant Ian Holm. I played Tulloch, a shy and troubled student whose behaviour turns destructive against his mentor, prompted by his room-mate, Costain, played by Rufus Sewell. Also in the cast were Sara Kestelman, who I had worked with in the London production of Cabaret, and Leo McKern (better known as Rumpole of the Bailey.)

I have two abiding memories of this film...

1:  That I am a little porky in it because I was still in the first flushes of excitement of being on movie sets and enjoying all the food that was available all the time, and...

2:  One hot afternoon we were shooting a scene between Ian and I, and in my close-up he unintentionally made me laugh when he did a line of a T.S.Elliot poem in a slightly different way and I totally lost it and couldn't get myself together to finish the scene. It was a hot, stuffy room and it was a Friday and all the crew just wanted to go home and that just made me worse. Eventually I was sent out to have a walk around the quadrant to regain my composure, but even then I couldn't stop laughing when we went back into the scene. It is the most agonizing and hysterical thing to be trying to not laugh knowing that so many people are longing for you to just get through it. I must have managed it eventually, but since then I have really been able to pull it together when it happens. I still am prone to a fit of the giggles, but never to that extent.

Prague

My first full length feature film, Prague, was shot in the Czech Republic and also stars French actress Sandrine Bonnaire and Swiss actor Bruno Ganz. It was written and directed by a fellow Scot, Ian Sellar, and produced by yet another one, Christopher Young.

I played Alexander Novak, a young Scot (yes, we are everywhere!) who returns to his ancestral home, Prague, to search for a piece of film he knows exists of his grandparents being taken away by the Nazis in World War II. At the film archive, he meets and falls in love with Elena (Bonnaire), then later discovers she is still involved with her boss, Josef (Ganz). A love triangle ensues, with Alexander searching for more than just his past.

The film premiered at the Cannes Film Festival in 1992 and was released soon after. I won the Best Actor award at the Atlantic Film Festival, and was nominated for a Scottish BAFTA Best Film Actor award for my performance.