Theatre

Singer

I performed this play in repertory with As You Like It, both productions of the Royal Shakespeare Company.

It was a new play by Peter Flannery based on the life of Peter Rachman, a famous property mogul played by Antony Sher and went from Auschwitz to the present day, and in every decade, if there was a young man as part of the story, it was me.

As You Like It

In this production by the Royal Shakespeare Company, I played Silvius, the young shepherd in (unrequited) love with Phoebe.

The production opened at the Royal Shakespeare Theatre in Stratford-upon-Avon in the autumn of 1989, then toured to Newcastle before playing the London season at the Barbican in 1990.

All I will say about this production is that I hated my costume! When the story got to the forest of Arden, everyone suddenly wore underclothes. All the other boys who were the Duke's followers got to wear cut-off long johns and singlets, but I had to wear white Y-fronts and have flowers in my hair. It was mortifying. The best thing about working at the RSC was making some great friends that I've kept in touch with ever since.

Sophie Thompson, who played Rosalind worked with me again in the films Emma and Nicholas Nickleby and as Juliet to my Romeo at the RNT studio.

Knickers

Stephen Unwin, who had directed me in The Conquest of the South Pole, asked me to be in another weird German play called Knickers by Carl Sternheim, at the Bristol Old Vic theatre

The play is about a woman whose knickers fall down when she is watching a procession go by one day. This causes two men to become infatuated with her and move into the apartment she shares with her husband! My character was obsessed with Nietzsche. The other character who was in love was played by an actor who actually left the production after the first preview, so we were flung into turmoil (which was of course rather exciting).

This was the first play I had done in a rep in England, and I remember feeling like a proper actor going on the bus every day from my digs to the theatre.